Andrea Clark Brown + Poorman, Architects, Kelly Sultan, Interior Design
Disney “Golden Oaks”
Juan Montoya Design
Michael Wolk Design
Rodney Harrison Design
Disney “Golden Oaks”
Twila Wilson Design
Twila Wilson Design
Twila Wilson Design
Juan Montoya Design
Andrea Clark Brown + Poorman, Architects – Kelly Sultan Design
David Harper Architect
Toby Zack Design
Tomas Frenes Design
Bonnie Muxo Design
Dianne Davant Design
Twila Wilson Design
Dianne Davant Design
Tessi Garcia Design
Michael Wolk Design
Twila Wilson Design
Adriana Hoyos Design
Retro Interiors Design
Tomas Frenes Design
Dianne Davant Design
Michael Wolk Design
Dianne Davant Design
Nelson Design
Juan Montoya Design
Twila Wilson Design
Nick Luaces Design
Anthony Catalfano Design
Disney “Golden Oaks”
Alan David Design
Twila Wilson Design
Mary Alice Kubit Design
John Barman Design
Dianne Davant Design
Michael Wolk Design
Michael Wolk Design
Michael Wolk Design
Residence, Caretti-Turner Design
Jorge Rossello Design
Nelson Design
Nelson Design
Ricardo Britto Design
Dianne Davant Design
Tomas Frenes Design
Naomi Schiff Design
Alan David Design
Juan Montoya Design
John Barman Design
Michael Wolk Design
Michael Wolk Design
Adriana Hoyos Design
John Barman Design
Twila Wilson Design
Raymond Boorstein Design
John Barman Design
Mendez Vela Design
Twila Wilson Design
Dianne Davant Design
Photographing Residential Interiors
Dan Forer has worked with many of today’s premier interior designers and architects. Their goal is to communicate their artistry and skill to a viewer who may not have the ability to visit a site in-person. Using the medium of a photograph, Dan Forer brings the viewer into the site allowing him to feel as though he’s actually there. Dan’s photographic skills in composition and lighting help him succeed in this. His college background was in the study of theatre and especially, the study of in theatrical lighting. Theatre lighting is a critical element in the success of any production and an elemental device that moves the emotions of the viewer. True to this dictum, Dan paints his photographic compositions with a light which must seem natural to the scene yet augments and dramatizes. Using these techniques, his photography steers the viewer to personally engage in the scene and feel as though he were actually there. It’s a special skill. No photograph of Dan’s is a casual effort. Always conscious of his responsibility to “tell a story”, Dan creates shots for each project which will help build a successful magazine story. Dan Forer’s goal is to see every one of his assignments published and he works through his association with many magazines to achieve that end.
